Diamond Calculator
Diamond 3D Book
Educational Programs
Testing Laboratory
Diamond Cut Study
Introduction
The complexities of cut
Metrics for beauty
  Metrics for beauty   Page 2
  Metrics for beauty Page 3
References
  The appearance of a gemstone depends in part on illumination conditions: diffuse illumination favors brilliance; localized illumination, such as spot lighting, favors fire. Regardless of the type of illumination, each illumination distribution has an associated angular spectrum; the product of the angular spectrums of the illumination and of the gemstone determines the stone’s appearance. One goal of optical design is therefore to increase the angular spectrum of the gem. In a sense, the multiple facets and their projections through internal reflections in a gemstone act like little windows that permit light to reach the observer. It is the distribution and variation in brightness from each of these windows that create contrast. The angles blocked by the observer’s head and by light leaking through the pavilion may help to create contrast. In the Tolkowsky cut, in fact, if the facets are aligned properly, the lack of the high angles blocked by the observer’s head produces eight arrowlike radial obscurations that enhance contrast. In a “nail-head” diamond, on the other hand, the observer’s head makes most of the table appear dark and unattractive. 

Geometrical angular spectrum is a useful concept for understanding gem-stone appearance. For purposes of optical design, it allows the contributions of illumination conditions to be differentiated from the contributions of cut proportions. Angular spectrum analysis can be used to study fancy-shape cuts (a current pursuit of the American Gem Society). Figure 5, for example, shows a rendering of a heart cut and its integrated angular spectrum, characterized by an increased content of low angles as compared to a round brilliant gemstone.

 
   
  Geometrical ray analysis of a gem-stone can be a complex matter because it involves nonsequential, polarization, splitting and birefringent ray tracing. It can be time consuming as well, given the large number of rays that need to be traced and graphically displayed. The gemstone industry uses basic and advanced programs such as GemCad8 and DiamCal9 to assist in calculating the precise weight and cut proportions of gemstones. Professional optical design software such as ASAP,10 FRED,11 LightTools,12 TRACEPRO13 and ZEMAX14 are capable of performing sophisticated analysis of gemstones. In some cases, however, in the analysis of gemstones custom programming may be required to properly display useful information. 

The analysis of a gemstone involves several steps. First, a CAD file in DXF, IGES or another format that contains the gem geometry must be generated. This file is imported into an optical design program where sources and detectors are defined. Next, rays are traced and the ray coordinates and detector information are processed and displayed as needed. Figure 6 shows the rendering of a round brilliant diamond by FRED. Since the design and analysis of gems is not a standard practice, the optical designer faces the tasks of display construction and of defining metrics for gemstone performance. The optical design of gemstones is still in its infancy. With the advent of optimization algorithms in illumination optics, however, it is foreseeable that automatic optimization of gems will become a reality in the near future. When that time comes, it will be possible to select a material such as cubic zirconium, to choose a cut shape such as the princess and to optimize a cut to ensure the strongest brilliance, fire and scintillation. Historically, this work has been done though trial and error. 

One useful criteria in the optical design of gemstones is the goal of bringing to the observer’s eye the maximum amount of light, while at the same time producing variations in light intensity to create contrast. To achieve this goal, light from the low, medium and high ray angles must be distributed evenly and thoroughly though the gem crown, table and bezel, so that the absence or presence of one of these angular ranges will contribute to creating contrast. In a superior cut gem, the blockage of the high angles  to produce contrast. Light leakage through the pavilion is minimized. Fire is maximized by increasing ray deviation and minimizing leakage through the crown bezel. 

 
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